Tag Archives: time lapse

Yosemite HD

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This video is a collaboration between Sheldon Neill and Colin Delehanty. All timelapses were shot on the Canon 5D Mark II with a variety of Canon L and Zeiss CP.2 Lenses.

Project Yosemite Website: projectyose.com
Contact info: info@projectyose.com

Thanks to Dynamic Perception for their motion controlled dolly and continued support!

Dynamic Perception Website: dynamicperception.com

Track: Outro
Album: Hurry Up, We’re Dreaming
Artist: M83
Site: ilovem83.com
Publishing: emimusicpub.com
Licensing: bankrobbermusic.com

This whole project has been an amazing experience. The two of us became friends through Vimeo and explored a shared interest in timelapsing Yosemite National Park over an extended period of time. We’d like to expand this idea to other locations and would appreciate any suggestions for a future project.

Twitter:
twitter.com/#!/SheldonNeill
twitter.com/#!/barple

Facebook:
facebook.com/sheldon.neill
facebook.com/delehanty

Behind The Scenes: vimeo.com/35223326
By Dalton Runberg

Our hearts go out to the families of Markus Praxmarer who lost his life while climbing Half Dome on September 19th, 2011 and Ranger Ryan Hiller, who was crushed by a tree January 22nd 2012. They will be missed. (A photo of Ranger Ryan Hiller can be found to the right above the statistics counter)

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San Francisco – Deus Ex Homine by Peter H. Chang

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The Most Incredible 3D Time-Lapse Yet Is a Beautiful Love-Letter to San Francisco from Gizmodo

DEUS EX HOMINE – San Francisco 3D Moco Time-lapse from Peter H. Chang on Vimeo.

This video, called “Deus Ex Homine,” is a stereoscopic 3D motion-controlled time-lapse by artist Peter H. Chang. It features some stunning footage of the San Francisco Bay Area and is immersive enough to make me supremely home-sick.

The 1080p, 2D version is above for the benefit of our readers—and is plenty beautiful in its own right—though if you have some 3D glasses handy, head over toYouTube to see it in three glorious dimensions. Just hover over the 3D button, click “Change Viewing Method…” and switch to your 3D mode of choice. Naturally, 1080p is recommended if your computer can handle it at full-screen.

Here’s a little insight into the Peter’s creative process:

Canon 5D Mark II’s were used in both parallel and beamsplitter configurations for true, native stereo capture at 5.6K resolution RAW. The camBLOCK and Dynamic Perception were used for motion control. There were some major technical hurdles with both capture and post, but once we saw the results in 3D, it was well worth it.

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